A man who hires a sexy escort to play his wife at his high school reunion gets more than he bargains for, especially when she takes him for everything he's got.

Martin's comfortable world is upturned by his friend's mid-life crises, beginning with his best friend's suicide, and the secret affair he had with Martin's wife.

Surprise parties rarely go well. This one is no different, as a group of 30-somethings head through life, love and a day in New York City.

Two strangers realize they have a connection.

An engaged couple discover the lies that their relationship has been built on may compromise International Security Services.

In a candle-lit restaurant, couples dine. Sarah and Don, on their third date, are melting in each other's gaze. When she goes to powder her nose, a brisk salesman sits down next to Don. He's Phil, selling insurance for a broken heart. Soon Don is actually interested in the terms of the contract: counseling, a cook provided for six months, replacement of any albums lost in event of breakup. There's wardrobe consultation, patented lines to feed your friends so they won't think you blew it, and, to clinch the deal, Phil's company, Mutual Love Life, provides a loaner. But, before Don can sign on the dotted line, Sarah comes back from the ladies' room with something on her mind.

Our Mutual Girl was unique. Not quite a serial, not quite a newsreel and not strictly an advertisement, it combined elements of all three. In 52 weekly one-reel episodes, running from January 19, 1914 to January 11, 1915, the Mutual Girl outwitted villains, saw the sights of New York, met with theatrical and political celebrities (who frequently helped her out of trouble) and tried on fashionable outfits in chic stores. The fashions were an early example of product placement, although apparently not paid placement.

A young milkmaid Liza becomes an outcast of society in one of the Kuban collective farms. An honest and hardworking girl finds protection from the brave and sensitive party organizer Prokhor, who stood up for her.

After his father's will stipulates he must marry Bella Wilfer to inherit his fortune, John Harmon fakes his death to avoid the marriage and the threats on his life. He returns as John Rokesmith and becomes the secretary for the Boffins, who inherit Harmon's estate following his alleged death.

Unsettled by the preventable death of a coworker, filmmaker Haskell Wexler learns that sleep deprivation and long work hours are a deadly combination. Interweaving medical findings with personal accounts, his camera reveals how a 24/7 work culture affects all Americans.